{"title":"Imported from BCC (2796684)","description":null,"products":[{"product_id":"9780521602709","title":"Culture and Conquest in Mongol Eurasia","description":"\u003cp\u003eThomas Allsen is one of the foremost historians of the Mongol empire. His latest book breaks new scholarly boundaries in its exploration of cultural and scientific exchanges between Iran and China. Contrary to popular belief, Mongol rulers were intensely interested in the culture of their sedentary subjects. Under their auspices, various commodities, ideologies and technologies were disseminated across Eurasia. The result was a lively exchange of scientists, scholars and ritual specialists between East and West. 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The essays also comment thoughtfully on the problems that confront the Caribbean in today's world.The essays focus on the Caribbean island and the mainland enclaves of Belize and the Guianas. Topics examined include the Haitian Revolution of the late eighteenth and early nineteenth centuries; labor and society in the nineteenth-century Caribbean; society and culture in the British and French West Indies since 1870; identity, race, and black power in Jamaica; the \"February Revolution\" of 1970 in Trinidad; contemporary Puerto Rico; politics, economy, and society in twentieth-century Cuba; Spanish Caribbean politics and nationalism in the nineteenth century; Caribbean migrations; economic history of the British Caribbean; international relations; and nationalism, nation, and ideology in the evolution of Caribbean literature.The authors trace the historical roots of current Caribbean difficulties and analyze these problems in the light of economic, political, and social developments. 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Beginning with key influences, he describes the importance of poster and mural art, focusing on the work of the Mexican artist José Guadalupe Posada and the significance of Mexican and Cuban talleres (print workshops). He examines the importance of art collectives in the United States, as well as Chicano talleres and community art centers, for the growth of the Chicano art movement. In conclusion, he considers how Chicano art has been presented to the general American public.\u003cbr\u003e\u003cbr\u003eAs Jackson shows, the visual arts have both reflected and created Chicano culture in the United States. 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