{"product_id":"2940013940352","title":"THE EVOLUTION OF PHOTOGRAPHY","description":"CONTENTS.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  INTRODUCTION                                                     1\u003cbr\u003e\u003cbr\u003e  FIRST PERIOD.\u003cbr\u003e    The Dark Ages                                                  3\u003cbr\u003e\u003cbr\u003e  SECOND PERIOD.\u003cbr\u003e    Publicity and Progress                                        27\u003cbr\u003e\u003cbr\u003e  THIRD PERIOD.\u003cbr\u003e    Collodion Triumphant                                          58\u003cbr\u003e\u003cbr\u003e  FOURTH PERIOD.\u003cbr\u003e    Gelatine Successful                                           95\u003cbr\u003e\u003cbr\u003e  CHRONOLOGICAL RECORD.\u003cbr\u003e    Inventions, Discoveries, etc.                                126\u003cbr\u003e\u003cbr\u003e  CONTRIBUTIONS TO PHOTOGRAPHIC LITERATURE.                      140\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLIST OF ILLUSTRATIONS.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Frontispiece     Portrait of Thomas Wedgwood.\u003cbr\u003e\u003cbr\u003e      \"            Portrait of Joseph Nicéphore Niépce.\u003cbr\u003e\u003cbr\u003e      \"            Portrait of Rev. J. B. Reade.\u003cbr\u003e\u003cbr\u003e      \"            Portrait of Henry Fox Talbot.\u003cbr\u003e\u003cbr\u003e      \"            Portrait of Sir John Herschel.\u003cbr\u003e\u003cbr\u003e     27            Portrait of L. J. M. Daguerre.\u003cbr\u003e\u003cbr\u003e     27            Portrait of John Frederick Goddard.\u003cbr\u003e\u003cbr\u003e     27            Copy of Instantaneous Daguerreotype.\u003cbr\u003e\u003cbr\u003e     58            Portrait of Frederick Scott Archer.\u003cbr\u003e\u003cbr\u003e     58            Hever Castle, Kent.\u003cbr\u003e\u003cbr\u003e     95            Portrait of Dr. R. L. Maddox.\u003cbr\u003e\u003cbr\u003e     95            Portrait of Richard Kennett.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eINDEX.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Archer, Frederick Scott, 58-69\u003cbr\u003e  Argentic Gelatino-Bromide Paper, 106\u003cbr\u003e  Abney's Translation of Pizzighelli and Hubl's Booklet, 109\u003cbr\u003e  A String of Old Beads, 309\u003cbr\u003e\u003cbr\u003e  Bacon, Roger, 3\u003cbr\u003e  Bennett, Charles, 102\u003cbr\u003e  Boston, 51\u003cbr\u003e  Bromine Accelerator, 29\u003cbr\u003e  Bingham, Robert J., 87\u003cbr\u003e  Burgess, J., 93\u003cbr\u003e\u003cbr\u003e  Cabinet Portraits, 84\u003cbr\u003e  Camera-Obscura, 3\u003cbr\u003e  Chronological Record, 126-139\u003cbr\u003e  Convention of 1889, 122\u003cbr\u003e  Claudet, A. F. J., 29, 86\u003cbr\u003e  Chlorine Accelerator, 29\u003cbr\u003e  Collodion Process (Archer's), 68\u003cbr\u003e  Collodio-Chloride Printing Process, 81\u003cbr\u003e\u003cbr\u003e  Davy, Sir H., 9\u003cbr\u003e  Daguerre, L. J. M., 9, 43\u003cbr\u003e  Daguerreotype Process, 23, 24, 25\u003cbr\u003e  ---- Apparatus Imported, 29\u003cbr\u003e  Diaphanotypes, 71\u003cbr\u003e  Dolland, J., 4\u003cbr\u003e  Donkin, W. F., 120\u003cbr\u003e  Draper, Dr., 107\u003cbr\u003e  Dublin Exhibition, 205-226\u003cbr\u003e\u003cbr\u003e  Eburneum Process, 82\u003cbr\u003e  Elliott \u0026amp; Fry, 96\u003cbr\u003e  Eosine, \u0026amp;c., 109\u003cbr\u003e  Errors in Pictorial Backgrounds, 231\u003cbr\u003e\u003cbr\u003e  First Photographic Portrait, 107\u003cbr\u003e  Fizeau, M., 6, 28\u003cbr\u003e  Flash-light Pictures, 118\u003cbr\u003e\u003cbr\u003e  Gelatino-Bromide Experiments, 91\u003cbr\u003e  Globe Lens, 78\u003cbr\u003e  Goddard, John Frederick, 28, 79\u003cbr\u003e\u003cbr\u003e  Harrison, W. H., 87\u003cbr\u003e  Heliographic Process, 11, 12, 13\u003cbr\u003e  Heliochromy, 88\u003cbr\u003e  Herschel, Dr., 6\u003cbr\u003e  Herschel, Sir John, 94\u003cbr\u003e  Hillotypes, 71\u003cbr\u003e  Hughes, Jabez, 55, 75\u003cbr\u003e  Hunt, Robert, 117\u003cbr\u003e\u003cbr\u003e  International Exhibitions, 42, 77, 82, 111\u003cbr\u003e\u003cbr\u003e  Johnson, J. R., 107\u003cbr\u003e\u003cbr\u003e  Kennett, R., 96\u003cbr\u003e\u003cbr\u003e  Lambert, Leon, 98\u003cbr\u003e  Laroche, Sylvester, 116\u003cbr\u003e  Lea, Carey, 101\u003cbr\u003e  \"Lux Graphicus\" on the Wing, 273-299\u003cbr\u003e  Lights and Lighting, 311\u003cbr\u003e\u003cbr\u003e  Maddox, Dr. R. L., 91\u003cbr\u003e  Magic Photographs, 83\u003cbr\u003e  Mawson, John, 85\u003cbr\u003e  Mayall, J. E., 54\u003cbr\u003e  Macbeth, Norman, 120\u003cbr\u003e  Montreal, 51\u003cbr\u003e  Morgan and Kidd, 106\u003cbr\u003e\u003cbr\u003e  Newton, Sir Isaac, 3\u003cbr\u003e  New York, 48, 71\u003cbr\u003e  Niagara, 50\u003cbr\u003e  Niépce, J. Nicéphore, 9, 11\u003cbr\u003e  Niépce de St. Victor, 88\u003cbr\u003e  Niagara, Pictures of, 140-158\u003cbr\u003e  Notes on Pictures in National Gallery, 245\u003cbr\u003e\u003cbr\u003e  Orthochromatic Plates, 115\u003cbr\u003e\u003cbr\u003e  Panoramic Lens and Camera, 76\u003cbr\u003e  Pistolgraph, 76\u003cbr\u003e  Pensions to Daguerre and Niépce, 33\u003cbr\u003e  Philadelphia, 49\u003cbr\u003e  Ponton, Mungo, 22, 103\u003cbr\u003e  Poitevin, M., 85, 108\u003cbr\u003e  Porta, Baptista G., 3\u003cbr\u003e  Potash Bichromate, 22\u003cbr\u003e  Pouncy Process, 78\u003cbr\u003e  Pictures of the St. Lawrence, 158-169\u003cbr\u003e  Pinhole Camera, 117\u003cbr\u003e  Pizzighelli's Platinum Printing, 118\u003cbr\u003e  Pictures of the Potomac, 183-196\u003cbr\u003e  Photography in the North, 226-231\u003cbr\u003e  Perspective, 237-244\u003cbr\u003e  Photography and the Immured Pompeiians, 303\u003cbr\u003e\u003cbr\u003e  Rambles among Studios, 196-204\u003cbr\u003e  Reade, Rev. J. B., 15-22, 90\u003cbr\u003e  Rejlander, O. G., 98\u003cbr\u003e  Ritter, John Wm., 5\u003cbr\u003e  Rumford, Count, 5\u003cbr\u003e  Russell, Col., 117\u003cbr\u003e\u003cbr\u003e  Sable Island, 47\u003cbr\u003e  Salomon, Adam, 84\u003cbr\u003e  Sawyer, J. R., 121\u003cbr\u003e  Scheele, C. W., 4, 5\u003cbr\u003e  Senebier, 5\u003cbr\u003e  Simpson, George Wharton, 75, 103\u003cbr\u003e  Soda Sulphite, 109\u003cbr\u003e  Swan's Carbon Process, 80\u003cbr\u003e  Stannotype, 107\u003cbr\u003e  Sutton, Thomas, 100\u003cbr\u003e  Spencer, J. A., 102\u003cbr\u003e  Stereoscopic Pictures, 119\u003cbr\u003e  Sharpness and Softness _v._ Hardness, 249\u003cbr\u003e  Simple Mode of Intensifying Negatives, 307\u003cbr\u003e\u003cbr\u003e  Talbot, Henry Fox, 14, 101\u003cbr\u003e  Talbot versus Laroche, 54\u003cbr\u003e  Taylor, Professor Alfred Swaine, 104\u003cbr\u003e  The Hudson River, 169-183\u003cbr\u003e  The Society's Exhibition, 260\u003cbr\u003e  The Use of Clouds in Landscapes, 265","brand":"SAP","offers":[{"title":"Default Title","offer_id":47121133306096,"sku":"2940013940352","price":0.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/2940013940352_p0.jpg?v=1763597574","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/2940013940352","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}