{"product_id":"9780875652573","title":"The Magic Curtain: The Mexican-American Border in Fiction, Film, and Song","description":"\u003cp\u003eBorderlands—especially the United States-Mexico borderland—have long served as backgrounds for depicting social instability, according to Thomas Torrans. And borders—or magic curtains—have readily been fashioned into exotic backdrops for films, novels, ballads, and tales in which characters shift easily from one culture to another. The protagonists are equally at home in both societies, or, at worst, at home in neither.\u003c\/p\u003e\u003cp\u003eTrue border novels form a literature that deserves a category all its own. There is an uneven quality—a coarseness sometimes mixed with polish, running the gamut of emotion from the tragic to the comic.\u003c\/p\u003e\u003cp\u003eOne recent fictional attempt to exploit the border's historical aspects is \u003ci\u003eFandango\u003c\/i\u003e by Ron McCoy (1984), while one of the older efforts is that of the early twentieth-century novelist Will Levington Comfort in \u003ci\u003eSomewhere South in Sonora\u003c\/i\u003e (1925). Border fiction is often just part of a larger whole and a number of books, whether fiction or nonfiction, seldom if ever cross the magical line between the two cultures. They remain, for the most part, fully centered in either Mexico or the United States, such as J. Frank Dobie’s very Texan \u003ci\u003eA Vaquero of the Brush Country\u003c\/i\u003e or his personalized account of his equestrian travels in northern Mexico, first published as \u003ci\u003eTongues of the Monte\u003c\/i\u003e and later as \u003ci\u003eThe Mexico I Like\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eFilm epitomizes the escape across the magic curtain. \u003ci\u003eThe Getaway\u003c\/i\u003e (based on the novel by Jim Thompson) is exemplary. Carol and Doc (Ali McGraw and Steve McQueen) not only manage the great escape with a satchel full of stolen money, they do it by fleeing to the border after a long brush with death. Filmmakers have carved movies out of other novels. B. Traven’s \u003ci\u003eThe Treasure of the Sierra Madre\u003c\/i\u003e and Glendon Swarthout’s \u003ci\u003eThey Came to \u003c\/i\u003e\u003ci\u003eCordura\u003c\/i\u003e are compelling looks at the vast and hard country that the border stitches together.\u003c\/p\u003e\u003cp\u003eFortunately, \u003ci\u003ecorridos\u003c\/i\u003e—the voice of the people—are not dead. They exist far afield, from the ballads created around the life and work of California’s César Chávez and the United Farm Workers of America movement to the older songs. Numerous ballads celebrate incidents befalling those running afoul of the law—from bandits to smugglers, large landholders, Texas Rangers, and, inevitably, cattle dealers and rustlers. Still others recount the derring-do of such once well-known figures as Juan Cortina (the “Red Robber of the Rio Grande”) and Catarino Garza, dreamers of lost causes and proponents of independent border republics. \u003ci\u003eCorridos\u003c\/i\u003e also faithfully reflect the latest developments—technology and \u003ci\u003emaquiladoras\u003c\/i\u003e, for example.\u003c\/p\u003e","brand":"Texas Christian University Press","offers":[{"title":"Default Title","offer_id":47018426826992,"sku":"9780875652573","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9780875652573_p0.jpg?v=1763832733","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9780875652573","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}