{"product_id":"9780907259398","title":"Modern Typography in Britain: Graphic Design, Politics, and Society - Typography Papers 8","description":"\u003cp\u003e\u003ci\u003eTypography Papers 8\u003c\/i\u003e is a special issue devoted to modernity in British typography. Graphic design in Britain from World War II through the 1970s is reconsidered not simply as a matter of style, but as a visible form of social philosophy and an optimistic claim on enlightenment. The issue's centerpiece is a revised version of British sociologist Stuart Hall's 1972 essay on the illustrated magazine \u003ci\u003ePicture Post\u003c\/i\u003e. Other topics include recollections of designing and politics; graphic design for the campaign for nuclear disarmament; and a history of the pioneering British book packager Adprint. \u003ci\u003eTypography Papers 8\u003c\/i\u003e is derived from the findings of the Optimism of Modernity, a research project begun in 2004 by the Department of Typography \u0026amp; Graphic Communication of the University of Reading.\u003c\/p\u003e","brand":"Princeton Architectural Press","offers":[{"title":"Default Title","offer_id":47023241167088,"sku":"9780907259398","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9780907259398_p0.jpg?v=1763862952","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9780907259398","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}