{"product_id":"9780967023434","title":"Plays and Playwrights 2002","description":"\u003cdiv\u003e\u003cspan class=\"046254618-07032004\"\u003eThis book includes:  \u003c\/span\u003e\u003c\/div\u003e  \u003cdiv\u003e\n\u003cspan class=\"046254618-07032004\"\u003e\u003c\/span\u003e \u003c\/div\u003e  \u003cdiv\u003e\u003cspan class=\"046254618-07032004\"\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eThe Death of King   Arthur\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Matthew Freeman\u003c?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\"   \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eThe classic legend brought to the   stage with a contemporary sensibility in an epic verse drama of adventure,   romance, and ambiguous nobility. Originally produced by Gorilla Repertory   Theatre in \u003c\/span\u003e\u003c?xml:namespace prefix = st1 ns =   \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCentral Park\u003c\/span\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e in October 2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eMatthew Freeman\u003c\/b\u003e is an actor, director,   and playwright. He has appeared in numerous plays for Gorilla Repertory Theatre.   He directed several of the one-acts comprising \u003ci style=\"mso-bidi-font-style: normal\"\u003eWashington Square Dreams\u003c\/i\u003e, which was   published in \u003ci style=\"mso-bidi-font-style: normal\"\u003ePlays and Playwrights   2001\u003c\/i\u003e.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eMatch\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Marc   Chun\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eIn this exquisite one act play,   random chance brings five ordinary people together on a bright blue May   afternoon, with extraordinary results. Produced at the Cherry Lane Alternative   in July 2001, and as part of the Vital Signs festival of new works at the Vital   Theatre in November 2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eMarc Chun\u003c\/b\u003e is a native of the   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eSan   Francisco\u003c\/span\u003e\u003c\/st1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eBay\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e area. \u003ci\u003eMatch\u003c\/i\u003e is his first   play.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eWoman Killer\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Chiori   Miyagawa\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eTwo   \u003c\/span\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eBrooklyn\u003c\/span\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e families are torn apart in this   startling new drama about the nature and origin of evil, inspired by a 1721   Bunraku puppet play from \u003c\/span\u003e\u003cst1:country-region\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eJapan\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. Premiered at HERE in a production   by \u003c\/span\u003e\u003cst1:street\u003e\u003cst1:address\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCrossing Jamaica   Avenue\u003c\/span\u003e\u003c\/st1:address\u003e\u003c\/st1:street\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, in September 2001. \u003cb style=\"mso-bidi-font-weight: normal\"\u003eChiori Miyagawa\u003c\/b\u003e was born in   \u003c\/span\u003e\u003cst1:country-region\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eJapan\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. She is the author of several   plays, including \u003ci style=\"mso-bidi-font-style: normal\"\u003eAwakening \u003c\/i\u003eand   \u003c\/span\u003e\u003cst1:street\u003e\u003cst1:address\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eJamaica   Avenue\u003c\/span\u003e\u003c\/i\u003e\u003c\/st1:address\u003e\u003c\/st1:street\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. She divides her time between   managing the Playwriting Fellowship program for New York Theatre Workshop,   teaching at Bard College (where she manages the undergraduate playwriting   program), and directing the theatre company Crossing Jamaica Avenue.\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e \u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eThe Wild Ass’s Skin\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by J. Scott   Reynolds\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eA spare, elegant, intensely   theatrical realization of Balzac’s novel about a destitute young man and the   magic animal skin that may bring him his heart’s desires. Originally produced by   Handcart Ensemble at the American Theatre of Actors in August 2000.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eJ. Scott Reynolds\u003c\/b\u003e is originally from   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eWashington\u003c\/span\u003e\u003c\/st1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eState\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. He is the co-founder and artistic   director of Handcart Ensemble, where he directed his own translation of   \u003c\/span\u003e\u003cst1:city\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eRacine\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e’s \u003ci style=\"mso-bidi-font-style: normal\"\u003eAndromaque\u003c\/i\u003e, Goldoni’s \u003ci style=\"mso-bidi-font-style: normal\"\u003eThe Mistress of the Inn\u003c\/i\u003e (also acted),   and his most recent work, \u003ci style=\"mso-bidi-font-style: normal\"\u003eDavid and   Bathsheba\u003c\/i\u003e.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eHalo\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Ken   Urban\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eTales of life and love squandered in   late twentieth century New Jersey are intertwined in this provocative and   challenging dramatic pageant. Premiered at the 2001 New York International   Fringe Festival at The Present Company Theatorium, produced by Screaming   Venus.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eKen Urban\u003c\/b\u003e teaches English at   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eRutgers\u003c\/span\u003e\u003c\/st1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eUniversity\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. His other plays include \u003ci style=\"mso-bidi-font-style: normal\"\u003eI \u003c\/i\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt\"\u003e\u003cfont face=\"Times New Roman\"\u003e?\u003c\/font\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e KANT\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, \u003ci style=\"mso-bidi-font-style: normal\"\u003eBodies Are Floors\u003c\/i\u003e, and \u003ci style=\"mso-bidi-font-style: normal\"\u003eBurners\u003c\/i\u003e, which have been presented by   theatres in \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eNew York\u003c\/span\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, \u003c\/span\u003e\u003cst1:state\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eNew   Jersey\u003c\/span\u003e\u003c\/st1:state\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, and   \u003c\/span\u003e\u003cst1:state\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCalifornia\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:state\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. He also writes scholarly articles   on theatre for journals such as \u003ci style=\"mso-bidi-font-style: normal\"\u003ePAJ\u003c\/i\u003e,   and he frequently reviews theatre for nytheatre.com.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eShyness Is Nice\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Marc   Spitz\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eA hilarious and profane farce about   two 30-year-old virgins, their supposedly cool heroin-addicted pal, an   Australian prostitute, and her pimp. Originally produced in May 2001 at   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eWestbeth\u003c\/span\u003e\u003c\/st1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eTheatre\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCenter\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eMarc Spitz\u003c\/b\u003e is the author of several   plays, including \u003ci style=\"mso-bidi-font-style: normal\"\u003eI Wanna Be Adored\u003c\/i\u003e,   \u003ci style=\"mso-bidi-font-style: normal\"\u003eRetail Sluts\u003c\/i\u003e, and \u003ci style=\"mso-bidi-font-style: normal\"\u003e“…Worry, Baby.” \u003c\/i\u003e\u003cspan style=\"mso-spacerun: yes\"\u003e \u003c\/span\u003eHe is the co-author of \u003ci style=\"mso-bidi-font-style: normal\"\u003eWe Got the Neutron Bomb: An Oral History of   Los Angeles Punk Rock\u003c\/i\u003e (Three Rivers Press, 2001). He is a Senior   Contributing Writer at \u003ci style=\"mso-bidi-font-style: normal\"\u003eSpin   Magazine\u003c\/i\u003e.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eReality\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Curtiss I’ Cook   \u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eA thought-provoking comedy\/murder   mystery set in a world where not even the playwright can be sure of getting out   alive. Originally presented by Tupu Kweli Theatre Company at the Grove Street   Playhouse in March 2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eCurtiss I’ Cook, \u003c\/b\u003e\u003cspan style=\"mso-spacerun: yes\"\u003e \u003c\/span\u003eis an actor, director, and playwright. He   has appeared on Broadway in \u003ci style=\"mso-bidi-font-style: normal\"\u003eMiss   Saigon\u003c\/i\u003e and is currently featured as Banzai the Hyena in \u003ci style=\"mso-bidi-font-style: normal\"\u003eThe Lion King\u003c\/i\u003e. His most recent play was   \u003c\/span\u003e\u003cst1:city\u003e\u003cst1:place\u003e\u003ci\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eGreenwood\u003c\/span\u003e\u003c\/i\u003e\u003c\/st1:place\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, which he directed at The Present   Company in \u003c\/span\u003e\u003cst1:city\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eNew York   City\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eThe Resurrectionist\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003cspan style=\"mso-spacerun: yes\"\u003e     \u003c\/span\u003eKate   Chell\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eAn exciting drama of seventeenth   century \u003c\/span\u003e\u003cst1:country-region\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eEngland\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e about a strong-willed young woman   caught up in a web of grave robbing and murder. Originally produced by   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eYazoo\u003c\/span\u003e\u003c\/st1:placename\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e \u003c\/span\u003e\u003cst1:placetype\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCity\u003c\/span\u003e\u003c\/st1:placetype\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e at The Gershwin Hotel in June   2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eKate Chell\u003c\/b\u003e is originally from   \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eAnnapolis\u003c\/span\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, \u003c\/span\u003e\u003cst1:state\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eMaryland\u003c\/span\u003e\u003c\/st1:state\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. \u003ci style=\"mso-bidi-font-style: normal\"\u003eThe Resurrectionist\u003c\/i\u003e is her first   play.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eBunny’s Last Night in   Limbo\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Peter S.   Petralia\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eA boy discovers his sexuality in   this quirky and innovative one act: coming of age in suburbia has never been   quite like this. The original production was by proto-type at HERE in March   2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003ePeter S. Petralia\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e has been involved in virtually all   facets of the theatre during the past eight years, as a writer, performer,   director, designer, and administrator.\u003cspan style=\"mso-spacerun: yes\"\u003e    \u003c\/span\u003eHe is a co-founder of proto-type, which will produce his upcoming play \u003ci style=\"mso-bidi-font-style: normal\"\u003eCheap Thrills\u003c\/i\u003e in April   2002.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003ci style=\"mso-bidi-font-style: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eSummerland\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e by Brian   Thorstenson\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e  \u003cp class=\"MsoNormal\" style=\"MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify\"\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eA lonely young man and his mother   search for happiness, and for their destinies, in this stunning play about an   \u003c\/span\u003e\u003cst1:country-region\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eAmerica\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e where everything still seems   possible. Premiered in \u003c\/span\u003e\u003cst1:city\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eSan   Francisco\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e in 2000 and in   \u003c\/span\u003e\u003cst1:city\u003e\u003cst1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eNew York   City\u003c\/span\u003e\u003c\/st1:place\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e at Wings Theatre in January   2001.\u003cspan style=\"mso-spacerun: yes\"\u003e  \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal\"\u003eBrian Thorstenson\u003c\/b\u003e is an actor, poet,   and playwright who lives in \u003c\/span\u003e\u003cst1:place\u003e\u003cst1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eSan Francisco\u003c\/span\u003e\u003c\/st1:city\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e, \u003c\/span\u003e\u003cst1:state\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCalifornia\u003c\/span\u003e\u003c\/st1:state\u003e\u003c\/st1:place\u003e\u003cspan style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e. His previous plays include \u003ci style=\"mso-bidi-font-style: normal\"\u003eThe Trick\u003c\/i\u003e, \u003ci style=\"mso-bidi-font-style: normal\"\u003eCul-de-Sac\u003c\/i\u003e, and \u003ci style=\"mso-bidi-font-style: normal\"\u003eHeading   South\u003c\/i\u003e.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/span\u003e\u003c\/div\u003e  \u003cdiv\u003e \u003c\/div\u003e","brand":"New York Theatre Experience, Incorporated, The","offers":[{"title":"Default Title","offer_id":47034226114800,"sku":"9780967023434","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9780967023434_p0.jpg?v=1763878663","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9780967023434","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}