{"product_id":"9780985083731","title":"Tax-Dollar Super Sonnet, Featuring Sarah Palin as Poet","description":"\u003cbr\u003ePoetry. Features one giant 'super' sonnet composed of text from various presidential speeches (Obama to Washington), and prose poems using Sarah Palin's autobiography, \u003cem\u003eGoing Rogue\u003c\/em\u003e, and Emily Dickinson's Books.\u003cp\u003e\"A procedural-marvel. I find myself wondering on active generations of lyric from within a source text (is that akin to the functionality of Rorschach (embedded-ness of underlying lyric?)). In other words, if we extract (as an activism) are we composers? Are we stewards ('servant's' 'heart') of meaning? A poet is a self-made visionary. Can someone surrogate (yes, as a verb) me (us) a position in vision ('it is true' 'I' 'can')? I think that more than anything else Mauro has offered us a way to enter 'imagined' [] 'freedom:' 'the' 'promulgation.' We need hearth-like replacements of 'counterfeit' 'countenance;' we need to feel our own agency as we are being enfolded in a slurping and slobbering (lovely) story line as it is being unfolded. What a relief to be confounded and found here! Sarah Palin's voice is blasting through an overhead speaker while Mauro wears a mask of Emily Dickinson's face, her three fingers on right hand tucked into middle of palm with her pointer finger and thumb extended ('I am the new Emily Dickinson with a gun'). Mauro moves the mouth of the mask.\"—j\/j hastain\u003c\/p\u003e","brand":"Black Radish Books","offers":[{"title":"Default Title","offer_id":47021057016048,"sku":"9780985083731","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9780985083731_p0.jpg?v=1763883273","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9780985083731","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}