{"product_id":"9781846381393","title":"Afterall: Spring 2014, Issue 35","description":"\u003cp\u003eSince its launching in 1999, \u003ci\u003eAfterall\u003c\/i\u003e, a journal of art, context and enquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year,  \u003ci\u003eAfterall \u003c\/i\u003ealso features essays on art history and critical theory.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIssue 35\u003c\/i\u003e looks at contemporary art's engagement with history through the work of Teatro Vertigem, Tony Chakar, Olga Chernysheva. and Danh Vo. Pablo Lafuente reviews the 2013 re-creation of the landmark exhibition \"When Attitudes Become Form\" at Fondazione Prada in Venice, and Shep Steiner discusses diverging notions of aesthetic, historical, and commercial value.\u003c\/p\u003e","brand":"University of Chicago Press Journals","offers":[{"title":"Default Title","offer_id":47043277750512,"sku":"9781846381393","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9781846381393_p0.jpg?v=1763745220","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9781846381393","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}