{"product_id":"9789027930798","title":"Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film","description":"  \u003cmeta content=\"text\/html; charset=iso-8859-1\" http-equiv=\"content-type\"\u003e \u003cmeta name=\"generator\" content=\"mshtml 8.00.6001.23644\"\u003e  \u003cbr\u003eBranigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to \"naturalize\" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.","brand":"De Gruyter","offers":[{"title":"Default Title","offer_id":47042298904816,"sku":"9789027930798","price":154.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9789027930798_p0.jpg?v=1763669999","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9789027930798","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}