{"product_id":"9789462983649","title":"Late Bresson and the Visual Arts: Cinema, Painting and Avant-Garde Experiment","description":"\u003cbr\u003eCritics have largely neglected the color films of French film director Robert Bresson (1901–99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema’s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.\u003cbr\u003e  ","brand":"Amsterdam University Press","offers":[{"title":"Default Title","offer_id":47059770376432,"sku":"9789462983649","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0737\/7593\/9824\/files\/9789462983649_p0.jpg?v=1763676648","url":"https:\/\/shop-qa.barnesandnoble.com\/products\/9789462983649","provider":"Barnes \u0026 Noble (DEV)","version":"1.0","type":"link"}