Turn Left at September

Billy Bones is a born killer and he continually proves it. Billy runs the “Satan’s Disciples,” a drug dealing gang in Detroit. Monica Wilson, one of Billy’s street level dealers decides to leave the vile world of drugs behind and move into the mainstream of society. She has turned her natural singing talent into a promising career with an up and coming musical group. The entertainment world is tough but Monica sees a distinct possibility of beating the odds. She is working with an excellent band guided by a highly influential agent and producer. Things are looking up for Monica… until Billy Bones arrives on the scene to collect what he considers his personal property.
Detroit homicide detectives are investigating a couple of seemingly unrelated murders when the victim’s pasts showed ties to both Billy Bones and Monica Wilson. Billy is well known to the police but Monica Wilson is a new face in their books and needs a closer look.
The band is scheduled for a New Year’s Eve performance at a far northern Michigan ski lodge/casino entertainment complex. Monica receives a call from Billy saying that, unless his demands are met by New Year’s at midnight, horrible things will happen.
Billy seems to have gotten a head start when bodies begin to accumulate at the morgue. First it’s Monica’s best friend then a former band member. Next on the list is one of Billy’s own gang members who showed signs of weakness in front of the cops.
When Billy drops out of sight with only two days left in the year McCoy and Springfield know that they’d better head north if they entertain any hopes of saving Monica Wilson from being murdered at the stroke of midnight.