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A Life’s Secret: A Fiction/Literature Classic By Mrs. Henry Woods!
A Life’s Secret: A Fiction/Literature Classic By Mrs. Henry Woods!
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At the distance of a short stone's-throw, towards the open country, were sundry workshops and sheds--a large yard intervening between them and the house. They belonged to Mr. Thornimett; and the timber and other characteristic materials lying about the yard would have proclaimed their owner's trade without the aid of the lofty sign-board--'Richard Thornimett, Builder and Contractor.' His business was extensive for a country town.
Entering the house by the pillared portico, and crossing the black-and-white floor-cloth of the hall to the left, you came to a room whose windows looked towards the timber-yard. It was fitted up as a sort of study, or counting-house, though the real business counting-house was at the works. Matting was on its floor; desks and stools stood about; maps and drawings, plain and coloured, were on its walls; not finished and beautiful landscapes, such as issue from the hands of modern artists, or have descended to us from the great masters, but skeleton designs of various buildings--churches, bridges, terraces--plans to be worked out in actuality, not to be admired on paper. This room was chiefly given over to Mr. Thornimett's pupil: and you may see him in it now.
A tall, gentlemanly young fellow, active and upright; his name, Austin Clay. It is Easter Monday in those long-past years--and yet not so very long past, either--and the works and yard are silent to-day. Strictly speaking, Austin Clay....
At the distance of a short stone's-throw, towards the open country, were sundry workshops and sheds--a large yard intervening between them and the house. They belonged to Mr. Thornimett; and the timber and other characteristic materials lying about the yard would have proclaimed their owner's trade without the aid of the lofty sign-board--'Richard Thornimett, Builder and Contractor.' His business was extensive for a country town.
Entering the house by the pillared portico, and crossing the black-and-white floor-cloth of the hall to the left, you came to a room whose windows looked towards the timber-yard. It was fitted up as a sort of study, or counting-house, though the real business counting-house was at the works. Matting was on its floor; desks and stools stood about; maps and drawings, plain and coloured, were on its walls; not finished and beautiful landscapes, such as issue from the hands of modern artists, or have descended to us from the great masters, but skeleton designs of various buildings--churches, bridges, terraces--plans to be worked out in actuality, not to be admired on paper. This room was chiefly given over to Mr. Thornimett's pupil: and you may see him in it now.
A tall, gentlemanly young fellow, active and upright; his name, Austin Clay. It is Easter Monday in those long-past years--and yet not so very long past, either--and the works and yard are silent to-day. Strictly speaking, Austin Clay....
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