Colour as a Means of Art; Being an Adaption of the Experience of Professors to the Practice of Amatures [Illustrated]

This edition features
• illustrations
• a linked Table of Contents

CONTENTS
PREFACE
INTRODUCTION
CHAPTER I.
COLOURING AS A MEANS OF ART
Section 1.—HARMONY
Section 2.—TONE
CHAPTER II.
RULES FOR PRODUCING PICTURES IN COLOUR
Section 1.—CUYP'S PRINCIPLE
Section 2.—BOTH'S PRINCIPLE
Section 3.—HOBBIMA AND RUYSDAEL'S PRINCIPLES
Section 4.—TENIERS AND OSTADE'S PRINCIPLES
Section 5.—THE PRINCIPLES OF TITIAN AND THE VENETIAN SCHOOL
Section 6.—LUDOVICO CARACCI'S PRINCIPLE
Section 7.—ANOTHER PRINCIPLE OF TITIAN
Section 8.—RUBEN'S PRINCIPLE
Section 9.—TURNER'S PRINCIPLE
Section 10.—ANOTHER PRINCIPLE OF TURNER
Section 11.—MODERN MANNER
Section 12.—ABSTRACT PRINCIPLES TO WHICH THESE ARRANGEMENTS MAY BE REFERRED
CHAPTER III.
FINE COLOURING
Section 1.—PRINCIPLES OF COLOURING OBJECTS
Section 2.—COLOURS OF LIGHTS AND SHADOWS
Section 3.—SUNSHINE
Section 4.—SUNSET
Section 5.—MOONLIGHT
Section 6.—GREY DAYLIGHT