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Unforgotten Classics
The French Impressionists (1860-1900) (Illustrated with active TOC)
The French Impressionists (1860-1900) (Illustrated with active TOC)
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• Includes original illustrations
• The book has been proof-read and corrected for spelling and grammatical errors
• A table of contents with working links to chapters is included
• Quality formatting
It should be stated here that, with the exception of one reproduction after the Neo-Impressionist Van Rysselberghe, the other forty-nine engravings illustrating this volume I owe to the courtesy of M. Durand-Ruel, from the first the friend of the Impressionist painters, and later the most important collector of their works, a friend who has been good enough to place at our disposal the photographs from which our illustrations have been reproduced. Chosen from a considerable collection which has been formed for thirty years past, these photographs, none of which are for sale, form a veritable and unique museum of documents on Impressionist art, which is made even more valuable through the dispersal of the principal masterpieces of this art among the private collections of Europe and America. We render our thanks to M. Durand-Ruel no less in the name of the public interested in art, than in our own.
• The book has been proof-read and corrected for spelling and grammatical errors
• A table of contents with working links to chapters is included
• Quality formatting
It should be stated here that, with the exception of one reproduction after the Neo-Impressionist Van Rysselberghe, the other forty-nine engravings illustrating this volume I owe to the courtesy of M. Durand-Ruel, from the first the friend of the Impressionist painters, and later the most important collector of their works, a friend who has been good enough to place at our disposal the photographs from which our illustrations have been reproduced. Chosen from a considerable collection which has been formed for thirty years past, these photographs, none of which are for sale, form a veritable and unique museum of documents on Impressionist art, which is made even more valuable through the dispersal of the principal masterpieces of this art among the private collections of Europe and America. We render our thanks to M. Durand-Ruel no less in the name of the public interested in art, than in our own.
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