JOHN GAY THE BEGGAR'S OPERA [Authoritative, Complete and Uncensored NOOK Edition] The Scandalous Play by John Gay (Inspiration for Bertold Brecht's The Threepenny Opera with Macheath, Mack the Knife, and Polly Peachum) THE BEGGAR'S OPERA by JOHN GAY NOOK

JOHN GAY THE BEGGAR'S OPERA
[The Authoritative and Complete NOOK Edition]

The Landmark Play by John Gay
(Inspiration for Bertold Brecht's The Threepenny Opera with Macheath, Mack the Knife, and Polly Peachum)

THE BEGGAR'S OPERA by JOHN GAY
NOOKbook


ABOUT THE BEGGAR'S OPERA

The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time.

The Beggar's Opera premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the longest run in theatre history up to that time. The work became Gay's greatest success and has been played ever since. The original production was so successful that John Rich, the manager of the theatre, was able to build a new theatre, the Theatre Royal, Covent Garden, forerunner of the Royal Opera House. In 1920, The Beggar's Opera began an astonishing revival run of 1,463 performances at the Lyric Theatre in Hammersmith, London, which was one of the longest runs in history for any piece of musical theatre at that time.

The piece satirised Italian opera, which had become popular in London. According to The New York Times: "Gay wrote the work more as an anti-opera than an opera, one of its attractions to its 18th-century London public being its lampooning of the Italian opera style and the English public's fascination with it." Instead of the grand music and themes of opera, the work uses familiar tunes and characters that were ordinary people. Some of the songs were by opera composers like Handel, but only the most popular of these were used. The audience could hum along with the music and identify with the characters. The story satirised politics, poverty and injustice, focusing on the theme of corruption at all levels of society. Lavinia Fenton, the first Polly Peachum, became an overnight success. Her pictures were in great demand, verses were written to her and books published about her. After appearing in several comedies, and then in numerous repetitions of The Beggars Opera, she ran away with her married lover, Charles Paulet, 3rd Duke of Bolton.


EXCERPT

"Our Polly is a sad Slut! nor heeds what we have taught her.
I wonder any Man alive will ever rear a Daughter!
For she must have both Hoods and Gowns, and Hoops to swell her Pride,
With Scarfs and Stays, and Gloves and Lace; and she will have Men beside;
And when she’s drest with Care and Cost, all tempting, fine and gay,
As Men should serve a Cowcumber, she flings herself away.
Our Polly is a sad slut, &c.

MRS. PEACHUM. You Baggage! you Hussy! you inconsiderate Jade! had you been hang’d, it would not have vex’d me, for that might have been your Misfortune; but to do such a mad thing by Choice! The Wench is married, Husband.

PEACHUM. Married! the Captain is a bold Man, and will risk anything for Money; to be sure he believes her a Fortune. Do you think your Mother and I should have liv’d comfortably so long together, if ever we had been married? Baggage!

MRS. PEACHUM. I knew she was always a proud Slut; and now the Wench hath play’d the Fool and Married, because forsooth she would do like the Gentry. Can you support the Expence of a Husband, Hussy, in Gaming, Drinking and Whoring? Have you Money enough to carry on the daily Quarrels of Man and Wife about who shall squander most? There are not many Husbands and Wives, who can bear the Charges of plaguing one another in a handsome way. If you must be married, could you introduce no body into our Family but a Highwayman? Why, thou foolish Jade, thou wilt be as ill-used, and as much neglected, as if thou hadst married a Lord!

PEACHUM. Let not your Anger, my Dear, break through the Rules of Decency, for the Captain looks upon himself in the Military Capacity, as a Gentleman by his Profession. Besides what he hath already, I know he is in a fair way of getting, or of dying; and both these ways, let me tell you, are most excellent Chances for a Wife. Tell me, Hussy, are you ruin’d or no?

MRS. PEACHUM. With Polly’s Fortune, she might very well have gone off to a Person of Distinction. Yes, that you might, you pouting Slut!

PEACHUM. What is the Wench dumb? Speak, or I’ll make you plead by squeezing out an Answer from you. Are really bound Wife to him, or are you only upon liking?"