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THE 14 GILBERT AND SULLIVAN PLAYS
THE 14 GILBERT AND SULLIVAN PLAYS
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Contents:
GONDOLIERS
GRAND DUKE
H.M.S. PINAFORE
IOLANTHE
THE MIKADO
PIRATES OF PENZANCE
PRINCESS IDA
RUDDIGORE
THE SORCERER
THESPIS
TRIAL BY JURY
UTOPIA, LIMITED
YEOMEN OF THE GUARD
PATIENCE
THE GONDOLIERS
OR
THE KING OF BARATARIA
Libretto by William S. Gilbert
Music by Arthur S. Sullivan
DRAMATIS PERSONAE
THE DUKE OF PLAZA-TORO (a Grandee of Spain)
LUIZ (his attendant)
DON ALHAMBRA DEL BOLERO (the Grand Inquisitioner)
Venetian Gondoliers
MARCO PALMIERI
GIUSEPPE PALMIERI
ANTONIO
FRANCESCO
GIORGIO
ANNIBALE
THE DUCHESS OF PLAZA-TORO
CASILDA (her Daughter)
Contadine
GIANETTA
TESSA
FIAMETTA
VITTORIA
GIULIA
INEZ (the King's Foster-mother)
Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds and
Pages
ACT I
The Piazzetta, Venice
ACT II
Pavilion in the Palace of Barataria
(An interval of three months is supposed to elapse between Acts I
and II)
DATE
1750
ACT I
Scene.-- the Piazzetta, Venice. The Ducal Palace on the right.
Fiametta, Giulia, Vittoria, and other Contadine discovered, each
tying a bouquet of roses.
CHORUS OF CONTADINE.
List and learn, ye dainty roses,
Roses white and roses red,
Why we bind you into posies
Ere your morning bloom has fled.
By a law of maiden's making,
Accents of a heart that's aching,
Even though that heart be breaking,
Should by maiden be unsaid:
Though they love with love exceeding,
They must seem to be unheeding--
Go ye then and do their pleading,
Roses white and roses red!
FIAMETTA.
Two there are for whom in duty,
Every maid in Venice sighs--
Two so peerless in their beauty
That they shame the summer skies.
We have hearts for them, in plenty,
They have hearts, but all too few,
We, alas, are four-and-twenty!
They, alas, are only two!
We, alas!
CHORUS. Alas!
FIA. Are four-and-twenty,
They, alas!
CHORUS. Alas!
FIA. Are only two.
CHORUS. They, alas, are only two, alas!
Now ye know, ye dainty roses,
Roses white and roses red,
Why we bind you into posies,
Ere your morning bloom has fled,
Roses white and roses red!
(During this chorus Antonio, Francesco, Giorgio, and other
Gondoliers have entered unobserved by the Girls--at first two,
then two more, then four, then half a dozen, then the remainder
of the Chorus.)
SOLI.
FRANC. Good morrow, pretty maids; for whom prepare ye
These floral tributes extraordinary?
FIA. For Marco and Giuseppe Palmieri,
The pink and flower of all the Gondolieri.
GIU. They're coming here, as we have heard but lately,
To choose two brides from us who sit sedately.
ANT. Do all you maidens love them?
ALL. Passionately!
ANT. These gondoliers are to be envied greatly!
GIOR. But what of us, who one and all adore you?
Have pity on our passion, we implore you!
FIA. These gentlemen must make their choice before you;
VIT. In the meantime we tacitly ignore you.
GIU. When they have chosen two that leaves you plenty--
Two dozen we, and ye are four-and-twenty.
FIA. and VIT. Till then, enjoy your dolce far niente.
ANT. With pleasure, nobody contradicente!
SONG--ANTONIO and CHORUS.
For the merriest fellows are we, tra la,
GONDOLIERS
GRAND DUKE
H.M.S. PINAFORE
IOLANTHE
THE MIKADO
PIRATES OF PENZANCE
PRINCESS IDA
RUDDIGORE
THE SORCERER
THESPIS
TRIAL BY JURY
UTOPIA, LIMITED
YEOMEN OF THE GUARD
PATIENCE
THE GONDOLIERS
OR
THE KING OF BARATARIA
Libretto by William S. Gilbert
Music by Arthur S. Sullivan
DRAMATIS PERSONAE
THE DUKE OF PLAZA-TORO (a Grandee of Spain)
LUIZ (his attendant)
DON ALHAMBRA DEL BOLERO (the Grand Inquisitioner)
Venetian Gondoliers
MARCO PALMIERI
GIUSEPPE PALMIERI
ANTONIO
FRANCESCO
GIORGIO
ANNIBALE
THE DUCHESS OF PLAZA-TORO
CASILDA (her Daughter)
Contadine
GIANETTA
TESSA
FIAMETTA
VITTORIA
GIULIA
INEZ (the King's Foster-mother)
Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds and
Pages
ACT I
The Piazzetta, Venice
ACT II
Pavilion in the Palace of Barataria
(An interval of three months is supposed to elapse between Acts I
and II)
DATE
1750
ACT I
Scene.-- the Piazzetta, Venice. The Ducal Palace on the right.
Fiametta, Giulia, Vittoria, and other Contadine discovered, each
tying a bouquet of roses.
CHORUS OF CONTADINE.
List and learn, ye dainty roses,
Roses white and roses red,
Why we bind you into posies
Ere your morning bloom has fled.
By a law of maiden's making,
Accents of a heart that's aching,
Even though that heart be breaking,
Should by maiden be unsaid:
Though they love with love exceeding,
They must seem to be unheeding--
Go ye then and do their pleading,
Roses white and roses red!
FIAMETTA.
Two there are for whom in duty,
Every maid in Venice sighs--
Two so peerless in their beauty
That they shame the summer skies.
We have hearts for them, in plenty,
They have hearts, but all too few,
We, alas, are four-and-twenty!
They, alas, are only two!
We, alas!
CHORUS. Alas!
FIA. Are four-and-twenty,
They, alas!
CHORUS. Alas!
FIA. Are only two.
CHORUS. They, alas, are only two, alas!
Now ye know, ye dainty roses,
Roses white and roses red,
Why we bind you into posies,
Ere your morning bloom has fled,
Roses white and roses red!
(During this chorus Antonio, Francesco, Giorgio, and other
Gondoliers have entered unobserved by the Girls--at first two,
then two more, then four, then half a dozen, then the remainder
of the Chorus.)
SOLI.
FRANC. Good morrow, pretty maids; for whom prepare ye
These floral tributes extraordinary?
FIA. For Marco and Giuseppe Palmieri,
The pink and flower of all the Gondolieri.
GIU. They're coming here, as we have heard but lately,
To choose two brides from us who sit sedately.
ANT. Do all you maidens love them?
ALL. Passionately!
ANT. These gondoliers are to be envied greatly!
GIOR. But what of us, who one and all adore you?
Have pity on our passion, we implore you!
FIA. These gentlemen must make their choice before you;
VIT. In the meantime we tacitly ignore you.
GIU. When they have chosen two that leaves you plenty--
Two dozen we, and ye are four-and-twenty.
FIA. and VIT. Till then, enjoy your dolce far niente.
ANT. With pleasure, nobody contradicente!
SONG--ANTONIO and CHORUS.
For the merriest fellows are we, tra la,