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Unforgotten Classics
Overlooked by Maurice Baring
Overlooked by Maurice Baring
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Excerpt:
He imagined this kind of story. A girl brought up in romantic surroundings. She meets a boy who falls in love with her. This, in a way, wakens her to life, but she will not marry him; and he goes away for years. Time passes. She leads a numbed existence. She travels, and somewhere abroad she meets the love of her youth again. He has forgotten her and loves someone else. Someone else wants to marry her. They are engaged to be married. But as soon as things get as far as this the man finds that in some inexplicable way she is different, and he breaks off the engagement, and she goes on living as she did before, apparently the same, but in reality dead.
"Then," I said, "she always loves the Fairy Prince of her youth."
He said: "She thinks she loves him when it is too late, but in reality she never loves anyone. She is only half-awake in life. She never gets over the enchantment which numbs her for life."
I asked what would correspond to the enchantment in real life.
He said perhaps the romantic surroundings of her childhood.
I said I thought he had not meant her to be a romantic character.
"No more she is," he explained. "The romance is all from outside. She looks romantic, but she isn't. She is like a person who has been bewitched. She always thinks she is going to behave like an ordinary person, but she can't. She has no dreams. She would like to marry, to have a home, to be comfortable and free, but something prevents it. When the young man proposes to her she feels she can never marry him. As soon as he is gone, she regrets having done this, and imagines that if he came back she would love him."
"And when he does come back, does she love him?" I asked.
He imagined this kind of story. A girl brought up in romantic surroundings. She meets a boy who falls in love with her. This, in a way, wakens her to life, but she will not marry him; and he goes away for years. Time passes. She leads a numbed existence. She travels, and somewhere abroad she meets the love of her youth again. He has forgotten her and loves someone else. Someone else wants to marry her. They are engaged to be married. But as soon as things get as far as this the man finds that in some inexplicable way she is different, and he breaks off the engagement, and she goes on living as she did before, apparently the same, but in reality dead.
"Then," I said, "she always loves the Fairy Prince of her youth."
He said: "She thinks she loves him when it is too late, but in reality she never loves anyone. She is only half-awake in life. She never gets over the enchantment which numbs her for life."
I asked what would correspond to the enchantment in real life.
He said perhaps the romantic surroundings of her childhood.
I said I thought he had not meant her to be a romantic character.
"No more she is," he explained. "The romance is all from outside. She looks romantic, but she isn't. She is like a person who has been bewitched. She always thinks she is going to behave like an ordinary person, but she can't. She has no dreams. She would like to marry, to have a home, to be comfortable and free, but something prevents it. When the young man proposes to her she feels she can never marry him. As soon as he is gone, she regrets having done this, and imagines that if he came back she would love him."
"And when he does come back, does she love him?" I asked.
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