Between Friends

Excerpt-Quair remarked that the group seemed to lack flamboyancy. It is true, however, that, except for Guilder's habitual restraint, the celebrated firm of architects was inclined to express themselves flamboyantly, and to interpret Renaissance in terms of Baroque.
"She's some girl," added Quair, looking at the lithe, modeled figure, and then half turning to include the model, who had seated herself on the lounge, and was now gazing with interest at the composition sketched in by Drene for the facade of the new opera.
"Carpeaux and his eternal group--it's the murderous but inevitable standard of comparison," mused Drene, with a whimsical glance at the photograph on the wall.
"Carpeaux has nothing on this young lady," insisted Quair flippantly; and he pivoted on his heel and sat down beside the model. Once or twice the two others, consulting before the wax group, heard the girl's light, untroubled laughter behind their backs gaily responsive to Quair's wit. Perhaps Quair's inheritance had been humor, but to some it seemed perilously akin to mother-wit.