Palaeography (Illustrated)

Of the books which preceded the invention of Printing, a much larger quantity is still extant than the world in general would suppose, but they are nevertheless so widely scattered and so seldom immediately accessible, that only a very long experience will enable any one to speak or to write about them in other than a blundering fashion. So many qualifications are required, that it may seem presumptuous in me to treat upon a matter bristling with difficulties and uncertainties. The brief but admirable outline of its history which Mr. Maunde Thompson has lately published is likely to mislead the inexperienced into a belief that a science defined with so much clearness and apparent ease may as easily be mastered. No one knows better than that accomplished scholar how hard it would be to supply sure and definite criteria for the guidance of palæographical students in all the branches of their fascinating pursuit. My excuse must be that the observations which appear in the present opusculum may be useful to some who are unable for various reasons to give the necessary fulness of {2}study to Mr. Thompson's work, and who, while loving manuscripts as well as I do, have not had so large an experience. I may venture to justify myself by a personal anecdote. The author of the "Stones of Venice" once said that he was surprised by my apparently exact knowledge of the commercial value of manuscripts; and my reply was that, as I had for twenty years been the buyer of, or the underbidder for, all the fine examples which had appeared in the public auctions, there was no great reason for his wonder.

The following sketch will consist of a number of cursory remarks upon the calligraphy and the ornamentation of medieval manuscripts; preceded by an historical sketch, arranged in chronological paragraphs, of the beginnings and the gradual diffusion of the art of writing throughout the world.

The Beginnings of Writing

Palæography is the branch of science which deals with ancient writing (pa?a?? ??af?). As the Greek word for writing comprises a great deal more than the work of pen and ink, palæographical study would be imperfect if it did not take into consideration the ancient inscriptions upon stone and metal which are usually left to numismatists and other archæologists. In a small treatise like the present, no such ambitious and comprehensive treatment is intended. The object is mainly to summarise the results of other men's labour, and to give a general idea of what is known at the present day about the diffusion of the art of writing and the methods of producing books before the sixteenth century.

The name for book in various ancient languages is indicative of the earliest stage in the history of writing. The English word itself appears in its oldest written form in the Gothic Scriptures of the fourth century, in which boka = writing, and bokos = things written = books. This is {3}believed to be derived from the name of the tree we call beech and the Germans buche, because it is supposed that the bark or wood of that tree was used for cutting runes upon. Similar to this is the Latin liber, which originally meant the inner bark of a tree, and afterwards came to mean book, because leaves were made from that inner bark for the purpose of writing. Diphthera, in ancient Ionic-Greek, was equivalent to book, because it meant a polished skin (like parchment or leather) used for writing upon before the Greeks adopted papyrus (byblos, biblos) from the Egyptians. Then the name for papyrus became the name for a book, and has been retained in modern speech in the word Bible. The word diphthera passed into use among the Persians about five hundred years before Christ, as the material was borrowed by them from the Ionians for the use of the scribes who kept the royal records, and it still remains in the speech of the modern Persians as defter = book. The Hebrew word sepher = engraving, and is therefore used to designate a book; and the same sense underlies the Arabic word Kitab. Writing was a scratching or incising of symbols representing sounds (or ideas) upon stone or metal, upon wood, or bark, or leaves (folia), dressed leather, parchment, papyrus, wax tablets, and paper.

The form in which the sheets (of skin, parchment, bark, papyrus, or paper) were gathered, may have been rolls in which they were united to form a single page, or a square combination of successive leaves united only at one side. The former was of course the earlier mode, but the latter was also in use at a remote date. Greek and Roman scribes had evidently begun to prefer the square fashion during the early days of the Roman empire; and we may take it to have become the prevalent custom in the fourth century. Black ink has always been in use for writing, red and blue ink are of comparatively recent date. The use of gold ink, which was of course so costly that it could never be otherwise than rare,