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Page Publishing, Inc.
A Dancer's Final Bow
A Dancer's Final Bow
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$9.99 USD
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"A Dancer's Final Bow" is a collection of autobiographical sketches based on her childhood in Colorado, her experience as a single mother, and her life as a dancer.
"Chokecherries" evokes an early life spent in Cheyenne Canyon surrounded by Native American love. "The Cherry Coke" commemorates her first romance in the fifth grade. "Green" calls on memories of a nearly fatal sledding accident when she was thirteen. "The Boarders" reflects on her eleven-year stint as a host mother for foreign exchange students. "A Dancer's Final Bow" describes a horrific accident which ended her dancing career. "The Breakdown" chronicles the aftermath of her dance career ending.
Part II of the book contains portraits of eighteen women including: "The Idol," her childhood babysitter, "The Chameleon," a fellow dancer, "The Bitch," a childhood frenemy, "The Coyote," a Native American river runner, "The Artist," a costume artist with whom the author worked, "The Old-Fashioned Girl," a girl out of step with her times, "The Slut," an infamous girl, "The Infanta," the dying daughter of a friend, and "The Madonna," a mother with sadomasochistic overtone
"Chokecherries" evokes an early life spent in Cheyenne Canyon surrounded by Native American love. "The Cherry Coke" commemorates her first romance in the fifth grade. "Green" calls on memories of a nearly fatal sledding accident when she was thirteen. "The Boarders" reflects on her eleven-year stint as a host mother for foreign exchange students. "A Dancer's Final Bow" describes a horrific accident which ended her dancing career. "The Breakdown" chronicles the aftermath of her dance career ending.
Part II of the book contains portraits of eighteen women including: "The Idol," her childhood babysitter, "The Chameleon," a fellow dancer, "The Bitch," a childhood frenemy, "The Coyote," a Native American river runner, "The Artist," a costume artist with whom the author worked, "The Old-Fashioned Girl," a girl out of step with her times, "The Slut," an infamous girl, "The Infanta," the dying daughter of a friend, and "The Madonna," a mother with sadomasochistic overtone
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