Grace is Sufficient

"Grace is Sufficient" is not so much a love story as it is a story about the price love sometimes commands. Not so much about reaching goals as it is a story about moving toward the goal no matter life's situations and circumstances. Though at first the story may appear to be just another memoire, "Grace is Sufficient" is not a mere portrait of a single life, but a story of fiction that offers insights into creative ways a life can be artfully lived.



"Grace is Sufficient" has the makings of a grand opera as the book's arrangement illustrates. Her interviews with a world renowned biographer, Justin Patrick Jones, chronicle scenes that shape each act of both Grace's carnal and transcendent life. The acts are tied together with Justin's personal notes and his precious commissures. From the querying overture to the book's mystical finale, "Grace is Sufficient" shares the often life threatening struggles of an orphaned and later abandoned Gracie Mae Boeman; reveals her tumultuous transformation into the beloved Diva Graciland Petier; and, exposes the reader to the feeling of being seated in the audience at one of Diva Graciland's performances



"Grace is Sufficient" also indulges the mystical. An inner-womb transfer gives Grace a spellbinding operatic voice. Deference to that experience propels her onward towards opera stardom, when all else counters. Her lifestream is not only between birth and death, but is never ending, as is true of all the women's lives in the nearly completed trilogy Women From Shetland of which this book "Grace is Sufficient" is a part.