New Riders
The Print and the Process: Taking Compelling Photographs from Vision to Expression
The Print and the Process: Taking Compelling Photographs from Vision to Expression
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Each project begins with a beautiful series of 20-30 final images from that project
In this section, the reader will see the project images again but as thumbnails, and David goes through each one, explaining very thoroughly his process. duChemin does not "pre-visualize" a scene, as Ansel Adams famously discussed. Instead, he feels it. And it's from that feeling that he begins working with the elements in front of him and looking at the choices available to him. As he moves around, including and excluding elements from the frame, the camera and the photographer become collaborators. It's from this struggle that the final image emerges.
DuChemin has been making images for over two decades, and this process has changed and evolved during that time. By exploring duChemin's images and reflecting on the process behind them
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