Cosmopolitan Publics: Anglophone Print Culture in Semi-Colonial Shanghai

Early twentiethcentury China paired the local community to the world-a place and time when English dominated urbancentered higher and secondary education and Chineseedited Englishlanguage magazines surfaced as a new form of translingual practice.

Cosmopolitan Publics focuses on China's "cosmopolitans"-Westerneducated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work in publications such as The China Critic and T'ien Hsia, providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity.

Decades later, as nationalist biases and political restrictions emerged within China, the influence of the cosmopolitans was neglected and the significance of cosmopolitan practice was underplayed. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.