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Papers of the Langford Latin Seminar : Greek and Roman Poetry / the Elder Pliny
Papers of the Langford Latin Seminar : Greek and Roman Poetry / the Elder Pliny
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PLLS 16 contains papers mainly arising from several Langford Colloquia held by the Department of Classics, Florida State University.
Contents
The Elder Pliny
S. Citroni Marchetti (Università di Firenze):‘Cicero as Role-Model in the Self-Definition of Pliny the Elder’
Trevor Murphy (University of California, Berkeley): ‘Notes from Underground: the Curious Katabasis of Dionysodorus’
Eugenia Lao: ‘Taxonomic Organization in Pliny’s Natural History’
Aude Doody (University College Dublin): ‘The Authority of Greek Poetry in Pliny’s Natural History 18.63-65’
Trevor S. Luke (The Florida State University): ‘Pliny the Elder on Pythagoras’
Greek and Roman Poetry
Nigel Nicholson (Reed College): ‘Four Reasons not to have an Epinician’
Alex Hardie (University of Edinburgh): ‘Callimachus at the Mouseion (the Hymn to Delos)’
Annemarie Ambühl (Johannes Gutenberg-Universität Mainz): ‘Literary Love Triangles: Berenice at Alexandria and Rome’
Alberto Canobbio (University of Pavia): ‘Lucilius and Horace: from criticism to identification’
Contents
The Elder Pliny
S. Citroni Marchetti (Università di Firenze):‘Cicero as Role-Model in the Self-Definition of Pliny the Elder’
Trevor Murphy (University of California, Berkeley): ‘Notes from Underground: the Curious Katabasis of Dionysodorus’
Eugenia Lao: ‘Taxonomic Organization in Pliny’s Natural History’
Aude Doody (University College Dublin): ‘The Authority of Greek Poetry in Pliny’s Natural History 18.63-65’
Trevor S. Luke (The Florida State University): ‘Pliny the Elder on Pythagoras’
Greek and Roman Poetry
Nigel Nicholson (Reed College): ‘Four Reasons not to have an Epinician’
Alex Hardie (University of Edinburgh): ‘Callimachus at the Mouseion (the Hymn to Delos)’
Annemarie Ambühl (Johannes Gutenberg-Universität Mainz): ‘Literary Love Triangles: Berenice at Alexandria and Rome’
Alberto Canobbio (University of Pavia): ‘Lucilius and Horace: from criticism to identification’
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