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AltaMira Press
Collections Vol 6 N3
Collections Vol 6 N3
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A Letter from the Editor
Juilee Decker
Articles
Collections Online: An Archival Approach to Digitization and Web Accessibility at the Archives of American Art
Karen B. Weiss
Imagining an Indigital Interface: Ara Irititja Indigenizes the Technologies of Knowledge Management
Sabra Thorner
Museums, Do You Copy? Standards on the Care and Handling of Facsimiles Exhibited in Museums
Jocelyn Park
Managing the Commonwealth Block Archaeological Assemblage: an Australian Case Study
Charlotte H.F. Smith and Sarah Hayes
Notes from the Archive: Epistolary Collecting in the University of Cambridge Museum of Archaeology and Anthropology
Haidy Geismar
Collecting Experiences: The Very Idea
Miguel Tamen
Book Reviews
The Office Copying Revolution: History, Identification and Preservation
by Ian Batterham Reviewed by Paul Kahan
Museums in a Digital Age Edited
by Ross Parry Reviewed by Susan Fishman-Armstrong
Places of Pain and Shame: Dealing with ‘Difficult Heritage’
Edited by William Logan and Keir Reeves Reviewed by Laurel Racine
Juilee Decker
Articles
Collections Online: An Archival Approach to Digitization and Web Accessibility at the Archives of American Art
Karen B. Weiss
Imagining an Indigital Interface: Ara Irititja Indigenizes the Technologies of Knowledge Management
Sabra Thorner
Museums, Do You Copy? Standards on the Care and Handling of Facsimiles Exhibited in Museums
Jocelyn Park
Managing the Commonwealth Block Archaeological Assemblage: an Australian Case Study
Charlotte H.F. Smith and Sarah Hayes
Notes from the Archive: Epistolary Collecting in the University of Cambridge Museum of Archaeology and Anthropology
Haidy Geismar
Collecting Experiences: The Very Idea
Miguel Tamen
Book Reviews
The Office Copying Revolution: History, Identification and Preservation
by Ian Batterham Reviewed by Paul Kahan
Museums in a Digital Age Edited
by Ross Parry Reviewed by Susan Fishman-Armstrong
Places of Pain and Shame: Dealing with ‘Difficult Heritage’
Edited by William Logan and Keir Reeves Reviewed by Laurel Racine
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