A Theory of Pure Design: Harmony, Balance, Rhythm

"A notable attempt to show the mathematical origin and structure of the plastic arts.... [It] deals principally with harmony, balance and rhythm." -- NY Times.

"The reasoning is clear and In most respects convincing; it would be entirely so but for a false note at the outset, in a definition of harmony which virtually makes it synonymous with unity and takes no note of the accordance of correlations." -- Dial.

"The impression given by a reading of Professor Ross's volume is a singular one. Each definition seems precise, each paragraph logical. and the sequence of ideas seems clear, the argument convincing. yet one goes on the end with an increasing dissatisfaction, a growing sense that something is wrong." -- Nation.

"Endless discussion is invited by every point he makes. There is no doubt. however. that perusal of his volumes will stimulate the faculty of artistic precision in production and criticism." -- NY Times.