Landscape Between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750-1850

This collection brings together for the first time many of the influential Marxist art-historian Andrew Hemingway’s most important works on Romantic landscape painting. With a careful eye for both the ideological and aesthetic aspects of a wide range of pieces, Hemingway’s keen insights offer stunning new perspectives on some of the most important painters of the era.