Distortion

During the early 90s, with war and its aftermath as the constant background noise, Reggie is bouncing around the country, hustling and trying to stave off personal catastrophe. With his own drug-addled sense of history merging with revelation, and his own destiny merging with something he begins to suspect is evil, the scope of the catastrophe seems increasingly cosmic in proportions. In a landscape of airplane disasters, arson fires, and emergent viruses, among the confounding stew of humanity in the backseats of a Greyhound bus, his story intersects a variety of characters equally unmoored from the reference points and false hopes offered by a mutating social order. The barely communicable dreams of indie film directors, occultist producers, punk poets, aspiring actresses and refugees trapped in their own stories of impending doom reduce the quest for love to rubble, leaving only a conflicted yearning for apocalypse in its place. Distortion peers beneath the surface of American life as if at the dim, flickering outline of a prophetic book.