At Work in the Early Modern English Theater: Valuing Labor

Introduction
Chapter One: The Theater between Craft and Commodity
Chapter Two: Crafty Performance in City Comedy: Jonson's Every Man in his Humour and Chapman, Jonson, and Marston's Eastward Ho!
Chapter Three: Casting Apprentices in Beaumont's The Knight of the Burning Pestle
Chapter Four: Thinking with the Feet in Dekker's The Shoemaker's Holiday and Rowley's A Shoemaker, A Gentleman
Chapter Five: Labor and Theatrical Value on the Shakespearean Stage: A Midsummer Night's Dream and The Tempest
Afterword: Performing Laboring Subjectivity
Bibliography