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In the West, the varied body of texts and tradition known as Tantra for more than two centuries has had the capacity to scandalise and shock. For European colonisers, Orientalist scholars and Christian missionaries of the Victorian era, Tantra was generally seen as the most degenerate and depraved pathological mixture of sensuality and religion that prompted the decline of modern Hinduism. Yet for most contemporary New Age and popular writers, conversely, Tantra is celebrated as a much-needed affirmation of physical pleasure and sex: indeed as a 'cult of ecstasy' that serves to counter the perceived hypocritical prudery of many Westerners. However, in recent years Tantra has become the focus of a still larger (and fraught) cultural and political debate. In the eyes of many Hindus, much of the western literature on Tantra represents a new form of cultural imperialism and neo-colonialism, which continues to portray India as an exotic, erotic, hyper-sexualised Orient-as the dark, weaker, feminized opposite, in fact, to the rational, progressive, masculine West.

Which, then, is the 'real' Tantra? Is it the Tantra that by turns arouses and titillates, the Tantra commodified of a misunderstood and venerable indigenous mysticism? Focusing on one the oldest and most important Tantric traditions, based in Assam, northeast India, Hugh B. Urban shows that tantra is less about optimal sexual pleasure - or 'nookie nirvana' - than about power: and specifically about harnessing the divine energy that flows alike through the cosmos, the human body and socio-political society. Through largely neglected in modern scholarship, Assam has long been considered one of the most powerful seatsof Tantric worship, and the home of the great goddess of 'desire' herself: K&abar;m&abar;khy&abar;. In a vital contribution to the field, which offers a major new interpretation of the subject, the author suggests that the 'real' meaning of Tantra may lie in helping us rethink not just the history of India, religions, but also our own modern obsessions with power, sex and the invidious legacies of colonial imperialism. This Tantra is neither exclusively Western nor India, but a mutual construct both the Asian and Western imaginations, and rooted in social context, political conflict and historical change.