Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia

Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain’s scenic, cultural and ethnographic perimeters and brought together – in many ways disparate – nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinational Soviet identity.