Contra Mundum Press
A Voice Full of Cities: The Collected Essays of Robert Kelly
A Voice Full of Cities: The Collected Essays of Robert Kelly
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Just as compelling are the volumes of shorter lyric forms, such as Finding the Measure, Songs I-XXX, Not this Island Music, and Lapis, or his even more experimental work, such as Sentence, The Flowers of Unceasing Coincidence, or his writing-through of Shelley's poem, Mont Blanc. The deeper unity of the work is unavoidably present in the voice that underlies the multiplicity of forms. As Guy Davenport wrote: "A Kelly poem is a Kelly poem. It dances in his way, sings in his intonations, insisting on its style. No American poet except perhaps Wallace Stevens has his sense of balance in a line. [...] Kelly has nothing to hide: the untiltable balance is there to begin with."
Less visible than the poetry, but certainly no less important, incisive, worth preserving & circulating anew, are the trove of essayistic materials disseminated throughout numerous small & not so small magazines of the second-half of the 20th C. The out-of-print 1971 In Time was Kelly's sole published book of essays properly speaking, even though he has been writing on his (& others') poetry & poetics since the early 60s.
Long over-due, the present volume, A Voice Full of Cities, collects for the first time Kelly's essays, statements, & other writings on poetry & poetics, making available a vast array of difficult to obtain works. The editors' aim was to insure that - in Robert Kelly's own words - "the fifty years of thinking around the fifty years of making won't get lost, and making and thinking will be seen as one thing."
A forthcoming companion volume from Contra Mundum Press, A City Full of Voices, will present critical essays on Robert Kelly's work by a wide range of contributors.