Lit Fest Press / Festival of Language
Redshift
Redshift
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Bernd Sauermann's newest poetry collection, Redshift, is at once a love letter and a lament: to lives and loves, current and past, as well as to time itself. Delicate yet potent, these precision-cut prose miniatures cull the archetypical trappings of an array of timeless every-days, from the pastoral to the post-industrial, the temperate to the tropical; but all are suffused with the eponymous blush created by the relentless ebb of experience itself. In quietly stunning lines that "break the morning like a dropped glass of water" we are shown the melancholy beauty of a world in which "the years have no pulse, and weeks are silent as light." In the tradition of all great literature, "[t]ime thrusts its shadow" on these hauntingly beautiful poems, which gently but wisely ease us to our knees "at the altar of a moment."-Susan Lewis, This Visit
Redshift occurs as a result of light's lengthening wavelength - if it made a sound, it would thrum at a lower frequency that only a few could hear. But Bernd Sauermann's listening for us, and he's filed a report that's filled with locomotives and typhoons and cracked teeth and burnt-out volcanoes. In Sauermann's new book of poems, there is a recognition of, and a resignation to, the tyranny of time - not the melancholic's lament, but the clear-eyed adult's exaltation at life lived on its own maddening terms.-Michael Kelsay, Too Close to Call
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