Jean Malaquais entre deux mondes

This first collection of critical studies devoted to the work of Jean Malaquais sheds light on his original novelistic aesthetic as well as the experimentation with language found in Les Javanais (1939), Coups de barre (1944), Planete sans visa (1947), and Le Gaffeur (1953). It places him in context with reference to his polemical texts and journals.