Firenze 1517: L'Apocalisse e i pittori

1517 is the year of the beginning of the Protestant Reformation, but it is also the year in which the Florentine Church officially forbids apocalyptic preaching in the city and in its outskirts. Starting from this scenario, the essays by art historian Antonio Natali recount the genesis of masterpieces such as the Madonna delle Arpie and the Dispute on the Trinity by Andrea del Sarto and the Pala Pucci by Jacopo Pontormo.